* A LENGTH OF EMBROIDERED NAQSH-E ISFAHANI SHALWAR CUFF PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTOR Isfahan, Zand Iran, late 18th century The cotton ground entirely worked in tent stitch embroidery, in blue silks of varying shades, in diagonal bands with repeating floral patterns, the lower third with fine vertical and horizontal borders to finish the trousering hem, 69cm x 53cm, 92.5cm x 77cm including frame. Also known as Gilet Persan , Naqsh embroideries were prized for their unique design and harmony, their durability, and versatility. Probably considered one of the most famous and striking forms of Persian embroidery, Naqsh grew in popularity during the late 18th and 19th centuries. Characterised by diagonal bands and patterns of densely-worked stitching, the technique was often used for panels that were sewn onto garments, especially for the lower legs of women’s voluminous trousers. Thanks to the intricate and dense nature of the embroidery, the panels were rigid, and hence long-lasting. They were often removed when the rest of the garment was worn out and sewn onto new garments. In later years, the diagonal patterns were reproduced in printed fabrics that became particularly popular within the Zoroastrian community in Iran. (69cm x 53cm, 92.5cm x 77cm including the frame.)