An Imitation Official Glazed Porcelain Vase
大清雍正年制仿官釉三山五嶽大抱月瓶
大清雍正年制款
Ht.55cm Wd.40cm
The decoration of the whole bottle is very elegant, and they can be regarded as a model, which fully demonstrates the perfection porcelain techniques of the Yongzheng dynasty. The holding moon bottle is also known as the "baoyue bottle". It has a small mouth, a straight neck, and two ears on the sides of the neck. It is named because the belly of the bottle resembles a full moon. It is one of the common utensils in the Yongle and Xuande Jingdezhen kilns of the Ming Dynasty. It was fired in the early Yongzheng period of the Qing Dynasty and then ceased. It was fired again during Qianlong, mostly blue and white. This Yongzheng imitation brother glaze embracing moon vase has a straight mouth and a short neck, with a raised lip. The abdomen is round and oblate, The foot is surrounded by a square platform. The whole body is painted with imitation brother glaze. The bottom book is "Yongzheng Year of the Qing Dynasty" The six-character three-line seal script. Emperor Yongzheng paid special attention to the reproduction of official kiln porcelain in the Song Dynasty. His philosophy was that it is ancient but not ancient. Therefore, Emperor Yongzheng also incorporated his own aesthetics and understanding of antiquities into the copying. This moon-holding bottle is elegant and simple in shape, and the imitation glaze is warm and clear, the texture is clear and uniform, and it is naturally interlaced. It is simple and elegant in the thick and simple. What is even rarer is that this bottle combines the emperor Yongzheng's ancient feelings and Taoist thoughts, and the beauty of its form has reached the realm of perfection, which can be seen in its preciousness.
Yongzheng seal mark
此瓶整器紋飾極為雅致，造型紋樣堪稱典範，充分展現雍正朝燒瓷技法的爐火純青。抱月瓶亦稱「寶月瓶」。小口、直頸，頸側雙耳，因瓶腹似圓月而名，為明代永樂、宣德景德鎮窯常見器物之一，清代雍正早期曾燒制，後又停燒。乾隆時又有燒制，多為青花。此件雍正仿官釉抱月瓶，三直口短頸，口沿起唇，頸部飾單線弦紋，腹部渾圓呈扁圓狀，下承方台圈足，周身施以仿哥釉色，底書「大清雍正年制」六字三行篆書款。雍正帝對摹制宋代官窯瓷器尤為重視，其理念是好古而不泥古，因此，雍正皇帝在摹古中也融入其自身的審美與對古物本身的理解。此抱月瓶造型典雅古樸，所施仿官釉，溫潤瑩澈，紋理清晰均勻，自然交錯，渾厚古樸中呈現恬淡雋秀。更為難得之處在於此瓶集雍正皇帝尚古情懷與道家思想於一身，其形制之美感也達至臻之境界，珍貴程度可見一斑。