LOT 1508 明 龙泉窑三足炉
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高10.5cm
龙泉青瓷素负盛名,窑址在今浙江省龙泉县境内,宋元时期烧造盛极一时,鬲式炉为龙泉窑较常见的香炉形式,式样系仿商周铜鬲式样,其肩腹部与足部的凸棱称“出筋”,其原为青铜制作时留下的合范线,后为修饰此线将其演化为装饰纹样,当时宋代许多窑场盛行此装饰。此件龙泉窑青釉鬲式炉,扳口宽折沿,短粗颈扁腹下收,底微下凹,腹下承三素面足,足底露灰白色胎,肩腹部与三足外侧有棱线凸起,通体施龙泉青釉,釉色青翠欲滴,润泽无匹,如瓷似玉。北京故宫博物院藏有数件龙泉窑三足炉,形制皆与此件类似,可兹参照。宋代盛行复古,即所谓“追三代于鼎彝之间”,效仿青铜器的造型,鬲式炉受到了宫廷及文人士大夫的喜好及鉴赏,成为宋人“四般闲事”中不可或缺的器具。在诗作中有广泛的吟咏,如宋代郑刚中《焚香》诗作中曰:“五月黄梅烂,书润幽斋湿。柏子探枯花,松脂得明粒。覆火纸灰深,古鼎孤烟立。偷然便假寐,万虑无相及。” 晚明鉴赏名家文震亨《长物志》卷四·器具—香炉条载:“三代,秦、汉鼎彝,及官、哥、定窑、龙泉、宣窑,皆以备赏鉴,非日用所宜。”此炉器形古雅清秀,曲线流畅,釉层肥厚,釉色均净,为龙泉青瓷之佳品。参阅:《碧绿—明代龙泉窑青瓷》,台北故宫博物院,2009年,页260,图144。来源:日本回流
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2020年9月22日-24日
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上海久事衡山大酒店二层宴会厅B厅
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