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Home > Auction >  Decorative Arts: Design since 1860 >  Lot.362 CHARLES RENNIE MACKINTOSH (1868-1928) GATE-LEG TABLE, CIRCA 1910

LOT 362 CHARLES RENNIE MACKINTOSH (1868-1928) GATE-LEG TABLE, CIRCA 1910

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GBP8,000
Estimate  GBP  8,000 ~ 12,000

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Lyon & Turnbull

Decorative Arts: Design since 1860

Lyon & Turnbull

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CHARLES RENNIE MACKINTOSH (1868-1928) GATE-LEG TABLE, CIRCA 1910decorated oak, with rectangular top and single drop leaf above square tapered legs linked by stretchers and terminating in brass caps and castors, the whole with stencilled chequer decoration (122cm long, 58.5cm deep (closed), 86cm deep (open), 76cm high) Footnote: Provenance: William Douglas Esq. Collection of Angus and Alison Hill, Glasgow Literature: Billcliffe, Roger Charles Rennie Mackintosh, The Complete Furniture, Furniture Drawings and Interior Designs, Cameron & Hollis 2009, p.262, Cat. No. 1910.21 where the companion table is illustrated. Note: In 1911 Mackintosh was in the last phase of creativity as an architect and designer in Glasgow before he and his wife Margaret Macdonald Mackintosh moved to Walberswick in Suffolk three years later. During that year he was commissioned by Miss Cranston to provide designs for the temporary White Cockade tearoom at the Glasgow Exhibition. He also produced redesigns of furniture and interior decorations for The Chinese Room and designed a new room, The Cloister Room, both for Miss Cranston's Ingram Street Tearooms. At the same time, he worked on a series of furniture designs for his friend, the decorator William Douglas, who worked from premises in West George Street and was employed on various projects by Mackintosh including Hous'hill, Miss Cranston's home, in 1904. Amongst the furniture designed for Douglas was the current lot, a previously unrecorded gate-leg table in oak with distinctive and characteristic chequer decoration which extends around the piece. In keeping with other furniture in this group the table’s design has its origins in earlier furniture styles. It is unusual to see the painted design applied directly to the furniture although the design is a frequently used motif. Mackintosh did use this stencilled technique in a later scheme for W.J. Bassett-Lowke at 78 Derngate, Northampton from 1916-19. A companion Pembroke table, also made for William Douglas but with two drop leaves and the gate legs to opposing sides, has identical decoration.

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