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Home > Auction >  FINE CHINESE ART, BUDDHISM & HINDUISM PART 2 >  Lot.741 AN INDIAN BLACK STONE STELE DEPICTING UMA-MAHESHVARA, PALA PERIOD

LOT 741 AN INDIAN BLACK STONE STELE DEPICTING UMA-MAHESHVARA, PALA PERIOD

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GALERIE ZACKE VIENNA

FINE CHINESE ART, BUDDHISM & HINDUISM PART 2

GALERIE ZACKE VIENNA

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印度北部,12世纪。这对神仙夫妇坐在莲花基座上的lalitasana中,每个人都用一只脚支撑在莲花脚踏板上,湿婆的主要右手深情地抚摸着他的妃子的下巴,他的主要左手绕过她的背部,捧着她的乳房,他的一只上手拿着一朵莲花。

出处。 来自一个古老的法国私人收藏
状况: 状况良好,与年代相符。狀況良好,與年代相符,有大量的舊的磨損、損耗、泥土侵蝕、小傷痕和刮痕。

重量:11公斤
尺寸:45x23厘米 尺寸:45 x 23 cm

乌玛一只手搭在湿婆的肩膀上,左手拿着一面镜子,他们的坐骑,南帝牛和狮子,卧在王座下,还有两个女性人物在祈祷,一个憔悴的人物在跳舞。

Uma-Maheshvara代表着湿婆神与乌玛女神神圣的拥抱,阿林伽纳。伟大的苦行僧湿婆神被山之女乌玛的美貌所征服,为了他的信徒的利益,他屈服于他们的结合(S. Kramrisch, Manifestations of Shiva, Philadelphia, 1981, p.57)。他们的结合主要是形而上的,尽管在帕拉时期,湿婆和乌玛的关系可以通过他们的肉体互动最直接地观察到。正是通过他们的感性关系,他们要成为信徒进入其神圣境界的门户。

,这里,这对神圣的夫妇在他们结合前的那一瞬间出现了,这种期待强调了进入神圣境界的可能性。这种期待是创造出一种活动的感觉,在整个作品中,周围人物的摇摆动作和整个作品中旋转的叶子雕刻都带着这种感觉。

文献对比。大都会艺术博物馆收藏了一块相关但更早的描绘乌玛-马赫什瓦拉的石碑,编号为1978.541。

拍卖结果比较。相关的黑色石碑与本件类似的残缺,见2013年9月18日纽约佳士得印度及东南亚艺术拍卖会,拍品231,成交价27,500美元。相关的黑色石碑与本件几乎相同,但保存较好,见2020年9月22日纽约苏富比印度、喜马拉雅及东南亚艺术品拍卖会,拍品351,成交价94,500美元。

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