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Home > Auction >  Fine & Decorative Art (June 2021) >  Lot.0113 Henry Roderick Newman (NY,1833-1918) watercolor

LOT 0113 Henry Roderick Newman (NY,1833-1918) watercolor

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Broward Auction Gallery

Fine & Decorative Art (June 2021)

Broward Auction Gallery

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ARTIST: Henry Roderick Newman (New York, Egypt, 1833 - 1918) NAME: Duomo, Florence YEAR: 1899 MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. Minor damages to frame. SIGHT SIZE: 21 x 12 inches / 53 x 30 cm FRAME SIZE: 34 x 24 inches / 86 x 60 cm SIGNATURE: Lower left PROVENANCE: Christie's New York, Rockefeller Center, Date: 2015-03-25, Lot: 45 Gruppe CATEGORY: antique vintage painting SKU#: 116537 US Shipping $90 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Henry Roderick Newman (New York, Egypt, 1833 - 1918) Born in Easton, New York, Henry Roderick Newman was a Pre-Raphaelite landscape and still-life painter, who moved with his family to New York City in 1843. Along with John Bunyon Bristol, Newman was one of the first significant American painters to paint in Florida. He was attracted to the area for health reasons, and painted in the area of St. Augustine from 1868 until the summer of 1869. Some of these paintings were later acquired by his friend and patron, John Ruskin, the English aesthetician, with whom he traveled. Today he remains known primarily for his membership in the American Pre-Raphaelite Association for the Advancement of Truth in Art, but his most accomplished work was likely done between 1875 and 1900 during his expatriate years. At that time, he established himself as one of the most important, some say the most important, American watercolorists working abroad. His specialty subjects were religious architectural structures, floral pictures, and views of endangered historical landmarks. Many of his paintings were of Egypt where he lived much of his life, visiting for many months each year for 25 years, as well as in Italy. In 1869, he studied with Thomas Couture in France, and shortly after, he was a student of Jean Leon Gerome who emphasized figural drawing and painting. However, he didn't stay long with Gerome because he was disappointed in the instruction and was also insecure with the onset of the Franco-Prussian War. Moving to Italy, he specialized in ecclesiastical masterpieces of architecture, and from there he traveled to Egypt and later to Japan.

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