Enzo Dara (Mantova 1938 – Mantova2017) The debut work takes place in Fano in 1960 as Colline in Puccini's La Bohème. Instead, in Reggio Emilia in 1967, playing Don Bartolo in The Barber of Seville, he takes full consciousness of his comic vis.At the Festival of Two Worlds in Spoleto in 1969 Mustafa in The Italian Girl in Algiers, and at La Scala, two years later, it is again Don Bartolo in the edition of The Barber of Seville directed by Claudio Abbado. On tour, always with La Scala, the Royal Opera House in London in 1976 Dandini in La Cenerentola.It's still Don Bartolo at the Metropolitan Opera in New York in 1982. Other theaters in which she sang were the Vienna State Opera, the Opéra National de Paris, the Liceu in Barcelona, ​​the Monte Carlo Opera, Opera of Houston. It was also the first Trombonok Baron in the modern revival of Il Viaggio a Reims."His best qualities are the vocal agility, both vocalized singing and especially in fast hyphenation," and an innate comedy, "never overflowing." [1]. Thanks to the interpretation of roles such as Don Pasquale, Don Bartolo, Don Magnifico, since the seventies is "an essential piece for the revival of bel canto" [2].From the late nineties he devoted himself mainly to the theater direction.Enzo Dara was also a writer and journalist. In 1994 he has published his first book also funny in his small, collection of memories, anecdotes and observations about the world of opera passionate and experienced first as student and then as a singer at various stages of his career.Photo autograph of famous bass, opera La Cenerentola at the Teatro La Scala Photography; 17,9x23,8 cm Excellent condition