Sesto Bruscantini (Civitanova Marche 1919 – Civitanova Marche 2003) From childhood, his theatrical talent "reciting" the Minuet by Luigi Boccherini at the age of eight. In 1939 he sang in the musical comedy The Geisha Sidney Jones at the Teatro Beniamino Gigli Civitanova Marche (now Teatro Rossini).The young Bruscantini had been "bewitched" by the work, achieved in particular by the Mephistopheles of Julius Blacks. While earning his law degree, dashed the hopes of a lawyer father and, encouraged by successes in small concerts, thanks to one music lover uncle, he continued his musical studies, making his debut in 1946 in the hometown as Colline in La bohème. In the same year he made a happy hearing home Beniamino Gigli, who confirmed the low register.MasterClasses following the Santa Cecilia Conservatory with Maestro Luigi Ricci, in 1947 won the "Tournament for young opera singers" organized by RAI newborn, with which began a period of intense collaboration. The La Scala debut in March 1949 in The Secret Marriage definitively sanctioned the start of a forty-year career.He began his international activities at the Glyndebourne Festival in 1951, winning once as a refined interpreter of Mozart and later covering the role of a large number of celebrities of the seven-century comic repertoire: to remember in particular Dandini in La Cenerentola, Selim in The Turkish in Italy, Figaro, and Le nozze di Figaro from The Barber of Seville, as well as Don Pasquale and Dulcamara. He participated in the historic events: one for all, the first performance in modern times of the aforementioned Turkish in Italy, October 22, 1950 at the Teatro Argentina in Rome, Gianandrea Gavazzeni, with Maria Callas and Mariano Stabile.Since the sixties stood out even in brand bel canto repertoire and dramatic: remarkable were the Alfonso of Castile La Favorita, Zurga Les pêcheurs de perles and several characters Verdi, Rigoletto, Germont, Laying, Falstaff, Melito.Just two years after its belated debut at the Metropolitan, he was the guest of honor, October 23, 1983, in a gala evening to mark the centenary of Max New York theater.A voice extremely versatile and an extraordinary stage presence, combined with great class and composure are the hallmark Bruscantini, allowing it to take nearly the entire historical period of vocal music, Combat of Tancredi and Clorinda by Claudio Monteverdi in 1624, the modernity dell'Oedipus rex Igor 'Stravinsky, through the cantatas of Bach and music from the most different backgrounds concert, making her almost unique artistic experience in the interpretation of opera history.He was married to the Austrian soprano Sena Jurinac from 1953 to 1956.Foto autograph of famous low. Photography; 23,5x17,7 cm Excellent condition