Landscapes After Old Masters, 1908Album of twelve leaves, ink and color on paper, each leaf inscribed and signed by the artist, dated the first year of the Xuantong reign, with a total of twenty-four artist's seals, with a collector's seal on the mount of the twelfth leaf, and a colophon signed Yipiao daoren (Yan Shiqing, 1873-1929) and dated gengxu (1910). 10 5/8 x 15 3/4in (27 x 39cm), each leaf 姜筠 仿古山水 設色紙本 册頁十二開 一九〇八年作Provenance/來源:Far East Fine Arts, San Francisco, California, 1990加州舊金山遠東藝術中心，1990年Published/出版: Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-48, p. 201戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-48，頁201Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, pp. 134-137Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁134-137Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Academy of Arts, 2007, pp. 396-399 Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁396-399Exhibited/展覽:Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California, October 25, 2000-January 14, 2001《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu, Hawaii, August 30-October 28, 2007《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年8月30日至10月28日Jiang Yun, who used the courtesy name Yinsheng, sobriquet Daxiong shanmin, was born in Anhui provenance. He earned a juren degree in 1891. His painting style is considered in the lineage of the Orthodox school, closely following the early Qing master Wang Hui (1632-1717). The artist once taught Xiao Xun (1883-1944), who was one of the founding members of the Chinese Painting Research Association. Comparing to the Monumental Landscape by Xiao Xun, sold from the Reverend Richard Fabian Collection on 30 November 2020, Bonhams Hong Kong lot 627, the current album is a great example showing the stylistic connections between the teacher and student, such as the color scheme and composition.姜筠，字穎生，別號大雄山民，生於安徽。光緒17年（1891）年舉人。其畫多以古法入，被認為是清初大師王翬（1632-1717）一脈。姜筠曾為蕭愻（1883-1944）之師。蕭氏後為中國畫學研究會發起人之一。邦瀚斯在2020年11月30日的費立哲牧師珍藏中國書畫專場中曾釋出蕭愻所作一幅《秋山策杖圖》（lot 627）。兩相對照之下，本冊頁之用色及構圖更在在顯出師徒間的風格聯繫。