戗金填彩漆诗文山水花卉纹四方形笔筒：拍品尺寸：高 14.5cm，口径 10.5cm. 底部书写“心怡堂”红漆款识。拍品之品相完好。 本品为木胎 戗金填彩漆诗文山水花卉纹四方形笔筒。说明： 此笔筒为木质，通体髹漆。笔筒整体呈正方型，孩童心边角，直身，平底。笔筒四面分别绘菊花纹配以诗文，梅花配以诗文，亭台楼阁配以诗文，以及远山近水纹配以诗文，诗文与各种景色，浑然一体，勾画出一副和谐自然的景观，美不胜收。此笔筒造型规整，工艺精湛纹饰精美，实乃佳品。盒底落有“心怡堂”红漆款识。 说明：中国古代精美绝伦的漆器技艺：雕漆工艺是一种典型的工繁料贵的工艺美术品，在厚重的漆层上进行创作雕刻，经历了从唐朝到清代整整五朝，依然传承延续。雕漆工艺的制作技术不但程序复杂、耗工繁巨、技艺亦高难。一件真正的雕漆艺术品，一般耍刷上厚度15毫米左右的漆才能进行雕刻，一般来说，1毫米厚的漆要刷17遍。先用填漆的方法做好花纹，然后沿着花纹轮廓勾出阴文线，勾出花纹上的纹理，增加画面丰满度之后，再在阴文线内填金，雕填技法盛行于明清两代。-----------------------------------------Sheet metal fill color paint poetry landscape flower pattern four square pen holder: Lot size: height 14.5cm, caliber 10.5cm. Bottom writing "Xin Yi Tang" red paint. The quality of the lot is intact. This product is a wooden tire gilt fill color paint poetry landscape flower pattern four square pen holder. Description: This pen holder is wood and lacquered. The pen holder is square in shape, with children's hearts and corners, straight body and flat bottom. On both sides of the pen holder, the chrysanthemum pattern is matched with poetry, the plum blossom is matched with poetry, the pavilion and pavilion are matched with poetry, and the distant mountains and waters are matched with poetry, poetry and various scenery, and they are integrated into one harmony. The natural landscape is beautiful. This pen holder has a neat shape and exquisite craftsmanship. At the bottom of the box, there is a "Red Heart" red paint. Description: The exquisite lacquer ware craftsmanship in ancient China: the lacquer lacquer craft is a typical art and crafts product with rich and complicated materials. It is engraved on the heavy lacquer layer. It has experienced the whole five dynasties from the Tang Dynasty to the Qing Dynasty. continue. The craftsmanship of the lacquering process is not only complicated, but also labor-intensive and difficult. A real lacquered art, usually painted with a thickness of about 15 mm to engrave, in general, 1 mm thick paint to brush 17 times. First, use the method of filling paint to make the pattern, then hook out the Yin line along the outline of the pattern, hook out the texture on the pattern, increase the fullness of the picture, and then fill the gold in the Yin line. The carving technique is popular in the Ming and Qing Dynasties.