宋代青白釉四系瓜棱形茶叶盖罐【福建建宁窑】： 拍品尺寸：宽：12.3cm，高：16.8cm，口径：9.5cm，底径：6.5cm；盖子：9.7cm。拍品来源：加拿大资深收藏家藏品 拍品说明：此罐通体施青白釉，釉色淡雅，釉质细润，釉水亮丽，器身通体为六棱，瓜棱形。胎体结实，器型雅观，精美。 资料：青白釉-起源：青白釉俗称：“影青釉，是一种釉色介于青白二者之间，青中有白和白中显青瓷器的专门称谓。”北宋（公元960年～1127年）时期，景德镇陶瓷工匠在当地白瓷生产的基础上，成功地烧制了色质如玉的青白釉瓷器。由于胎、釉中铁元素的含量极低，釉的玻璃相清澈，因此，典型产品，胎质细洁，釉色青莹。景德镇的这一项成功发明，很快影响到当时的福建、浙江、广东、广西、安徽、湖北、湖南、四川等省区，相续出现了一批烧制青白釉瓷器的窑场，进而形成了一个庞大的青白窑系。 宋蒋祁《陶记》中：“江、湖、川、广器尚青白，出于镇之窑者也。”印证了宋人把现在所说的“影青”瓷器叫做“青白瓷”的史实；清刘子芬《竹园陶说》中谓：“近来出出土之器甚多，一种碗碟，质薄而色白，微似定，市肆人呼为映青，以其釉汁微带青色也。据言出自江西，为宋所制。” 邓之诚在《骨董琐圮》中说：“宋定白而不莹，其莹者，罩青也。”许之衡《饮流斋说瓷》：“影青固甚薄之瓷也，乃有瓷质颇厚仅能一面影出青色雕花者，此则名为隐青。”众上所述，青白釉称呼有：影青，也有叫：映青、罩青、隐青的。 青白釉-影响：青白釉以含铁量很低的氧化铁为着色元素，釉色介于青白二色之间，白中泛青，青中有白，故名。宋代景德镇窑始烧，胎质洁白细腻，刻、印暗花。安徽、福建、湖北等地瓷窑亦都有烧制，形成南方“青白瓷系”。----------------------------Finely Chinese Porcelain Pot, Song Dynasty Qingbai Glaze Song Dynasty Qingbai Glaze Four Lines Melon Shaped Tea Cover Cans Fujian Jianning Kiln Song Dynasty Qingbai Glaze Four Lines Melon Shaped Tea Cover Cans ã€Fujian Jianning Kiln】: Lot size: Width: 12.3cm, Height: 16.8cm, Caliber: 9.5cm, Base diameter: 6.5cm; Cover: 9.7cm. Lot Source: Canadian Senior Collector Collection Description of the Lot: This can body is applied with white glaze. The glaze is elegant, the enamel is fine, the glaze is bright, and the body is hexagonal and prismatic. The carcass is strong, beautiful and elegant. Information: Qingbai Glaze - Origin: Green and white glaze is commonly known as: "The shadow celadon is a kind of glaze color between green and white, and there is a white and white celadon special name in Qingzhong." Northern Song Dynasty (960-1127) During the period, Jingdezhen ceramic artisans successfully fired Qingbai Glaze porcelains with a jade color, based on local white porcelain production. As the content of iron in the tire and glaze is extremely low, the glass of the glaze is clear. Therefore, the typical product is fine in quality and greenish in the glaze. This successful invention of Jingdezhen quickly affected the provinces and autonomous regions of Fujian, Zhejiang, Guangdong, Guangxi, Anhui, Hubei, Hunan, and Sichuan. A batch of kiln fields firing green and white glazed porcelain appeared one after another and formed. A large green and white kiln system. In Song Jiang’s “TAO Ji”, “Jiang, Hu, Chuan, and Guang Qi are still green and white, and they are also from the kiln of the town.” It confirms that the Song people referred to the now-known “Imperial” porcelain as the “Qingbai Glaze porcelain”. Shi Shi; Qing Liu Zifen “Zhuyuan Tao Shuo” said: “There have been a lot of excavated objects recently. One kind of dish is thin and white and slightly likened. The city’s people call it Yingqing, and its glaze is slightly blue. According to a statement from Jiangxi, it was made for the Song Dynasty.” Deng Zhicheng said in the book “Song Dong Zou”: “Song Ding Bai is not Ying, and its Ying is covered by blue.” Xu Zhiheng “Drinking Porcelain Says Porcelain”: “Imperial The solid porcelain is also very thin, but the porcelain is quite thick and can only affect the blue-colored sculptor. This is called concealed green.” As the public said, the green-white enamel is called: shadow green, also called: Ying Qing, cover Green and hidden green. Green and White Glaze Green White Glaze - Impact: The white-white glaze is iron oxide with very low iron oxide as the coloring element. The glaze color is between the two colors of green and white, white and blue, green and white, hence the name. The Jingdezhen kiln of the Song Dynasty began to burn, and the quality of the fetal material was delicate and white, and carved and printed with dark flowers. Ceramic kilns in Anhui, Fujian, and Hubei have also been fired to form a “Qingbai porcelain” in the south.