LOT 306 A PAUBHA OF BUDDHA WITH SCENES FROM HIS PAST LIVES NEPAL, D...
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A PAUBHA OF BUDDHA WITH SCENES FROM HIS PAST LIVESNEPAL, DATED 1801 CE Himalayan Art Resources item no.4536 Image: 49 7/8 x 28 3/8 in. (127.2 x 72.2 cm) 尼泊爾 1801年 佛陀本生故事博巴 Characteristic of Nepalese paintings, this largeposition is tightly packed with horizontal and vertical registers containing portraits and narrative scenes. In the center, Buddha Shakyamuni appears before clusters of auspicious clouds, from which emerge blue-bodied Vajradhara and two Gelug lamas. He is flanked by his two principal disciples, Maudgalyayana and Sariputra, and further surrounded by scenes from his past lives. Within the top register, Prajnaparamita, Medicine Buddha, and Rakta Lokeshvara (a meditation form of Avalokiteshvara) appear between snow-capped mountains and piles of jewels. In the bottom register, the artist has portrayed the donor's family on either side of a white stupa. An inscription within the red-bordered rectangle reveals the painting's date and the donor's name: Bhāju Mānajumissioned (this painting) to secure the Sukhāvatī heaven for his deceased great-great-grandfather Dhaṃdeoju, great-grandfather Jñānaśrīju, grandfather Dhaṃmaju,... father Dhanaju, and mother Vāgavati. This image was consecrated in (Nepal) Saṃvat 921, on the full moon day of the Māgha month, Thursday, which was the very first death anniversary (dakilā) of Bhāju Dhanaju, (Bhāju Mānaju's) father... A Hindu revival during the late Malla period (1482-1769) saw the royal patronage of Buddhist monasteries and temples in Nepal decrease over time. Consequently, this paubha is one of a very small group of Buddhist paintings from the early 19th century surviving in good condition.pare the treatment of clouds, aureole, and the busyposition to another 19th-century paubha of Ushnishavijaya at the Rubin Museum of Art, New York (F1997.17.24). It is quite likely that Bhāju Mānaju, the patron of the present painting, alsomissioned an inscribed bronze Buddhist triad sold at , London, 8 November 2018, lot 250 (fig.1) given that both artworks spanning 31 yearsmemorate a father named Bhāju Dhanaju. (Please refer to our printed or digital catalog for the figure listed in this essay.) Provenance: Ex-Private Florida Estate
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