Charles Schneider (French, 1881-1953), A rare and large conical vase with elongated neck in mottled blush, lilac and yellow. Height: 46 cm. Signed Schneider on the bottom. Circa 1925-1928. Literature: -Vase similar in Bott, Judendstill, 1973, p. 236 n. 281. -Vase similar in Charles Schneider, Maitre - Verrier, Verreries Schneider France de 1913 a' 1940. Le Louvre Des Antiquaires, Avec la participation du Kunstmuseum de Dusseldorf, 1984, p. 51, n. 65. Condition: good condition, some scratches on the bottom base, wear due to age. The Schneider Glassworks (Verreries Schneider), established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels and lighting fixtures in both the Art Nouveau and Art Deco styles. The factory’s highpoint was the 1920s, when it created iconic chandeliers and exquisitely decorated cameo glass vases that are still in high demand today. Born in the last quarter of the 19th century in Château-Thierry, near Paris, Charles and Ernest Schneider moved with their family at a young age to Nancy, a major center of Art Nouveau design, particularly known for glass. Among the city’s master makers was the crystal studio Daum, where both brothers worked at the turn of the 20th century, Ernest in sales, and Charles receiving training in the engraving and decoration workshop, while concurrently learning drawing and modeling with Henri Bergé and attending the École des Beaux-Arts in Nancy. In 1904, he enrolled at the École Nationale Supérieure des Beaux-Arts, in Paris, where he studied painting and metal engraving and regularly showed in the engraving section of the Salon de la Société des Artistes Français, twice receiving a prize. Around 1912 the brothers and their friend, architect Henri Wolf, bought a small glass factory specializing in lightbulbs, renaming it Schneider Frères et Wolff. The partners enticed a group of about 20 workers from the Daum workshop to join thepany, which produced high-quality cameo vases and lamps until the outbreak of World War I, in 1914, when Charles, Ernest and most of the workers were called up to fight. The Schneiders were demobbed in 1917 and reopened the factory, initially making practical glassware for hospitals. After the war, to fund their reentry into the art-glass market, they sold shares in thepany, now named the Société Anonyme des Verreries Schneider. The success of the elegant drinking glasses and Art Nouveau-style cameo vases they produced allowed the brothers to buy back the shares, at which point they renamed the factory Verreries Schneider. When a fire destroyed the Gallé studios in 1918, the Schneiders offered space to a group of thepany’s artists so they could continue production. In return, they taught Charles marqueterie de verre. Similar to wood marquetry, this process involves cutting sections out of a glass surface and filling them wi