OKUMURA MASANOBU (1686-1764), REKISEITEI EIRI (ACTIVE CIRCA 1790-1800), KATSUKAWA SHUNSHO (1726–1792), KATSUKAWA SHUNKO (1743-1812), KIKUKAWA EIZAN (1787-1867), UTAGAWA HIROSHIGE (1797-1858), AND OTHERSEdo period (1615-1868), 18th to 19th centuryNine prints of various formats and subjects: the first ahosoban by Masanobu depicting a rich retired gentleman impersonating Daikoku, two courtesans seated beside, signedHogetsudo Oku Bunkaku [...]; the second anoban by Eiri ofTenji Tenno: Aki no ta (Emperor Tenji: Autumn Rice Field) from the seriesHyakunin isshu mitate hakkei (Eight Views of the Hundred Poets), signedRekisentei ga; the third achuban by Shunsho of No.6 from the seriesKaiko yashinai gusa (Silkworm Cultivation), signedShunsho ga; the fourth ahosoban by Shunko depicting a kabuki actor, signedShunko ga; the fifth anoban by Eizan depicting Hanamurasaki of the Tamaya, signedKikukawa Eizan hitsu; the sixth anoban, attributed to Kunisada, of Mayuzumi of the Sanotsuchiya, no signature; the seventh anoban by Utagawa school of Urino of the Okamonotoya, no signature; the eighth anoban by Hiroshige ofFukagawa Hachiman yamabiraki (Opening of the Garden of the Hachiman Shrine at Fukagawa) from the seriesMeisho Edo hyakkei (100 Famous Views of Edo), signedHiroshige ga; the last anoban by Hiroshige II ofBanshu Maiko no hama (Maiko Beach, Harima Province) from the seriesShokoku meisho hyakkei (100 Famous Views in the Various Provinces), signedHiroshige ga; all variously published; all framed and glazed.The smallest: 28.5cm x 14.5cm (11¼in x 5¾in); the largest: 36.5cm x 24cm (14 3/7in x 9 7/16in). (9).