A GROUP OF REFERENCE BOOKS ON COLLECTIONS, NETSUKE, AND JAPANESE ARTComprising: Kakudo, Yoshiko,Netsuke: Myth and Nature in Miniature, San Francisco, Asian Art Museum, 1981; Jonas, F. M.,Netsuke, London, Charles E. Tuttle and Kegan Paul, Trench, Trubner & Co., 1960; Bushell, Raymond,Collectors' Netsuke, Tokyo, Weatherhill, 1971; Kinsey, Miriam,Living Masters of Netsuke, Tokyo, Kodansha International, 1984; Ayers, John,The Baur Collection Geneva: Japanese Ceramics, Geneva, Collections Baur, 1982; Chu, Arthur and Grace Chu,Oriental Cloisonné and Other Enamels: A Guide to Collecting and Repairing, New York, Crown Publishers, 1975; Irvine, Gregory,Japanese Cloisonné Enamels: The Seven Treasures, London, V & A Publishing, 2006; Mintz, Robert,Japanese Cloisonné Enamels: The Stephen W. Fisher Collection, exhibition catalogue, Baltimore, Md., Walters Art Museum, 2010; Schiermeier, Kris and Matthi Forrer,Wonders of Imperial Japan: Meiji Arts from the Khalili Collection, Zwolle, Waanders Publishers, 2006; Lawrence, Louis,Satsuma: Masterpieces from the World's Important Collections, London, Dauphin Publishing, 1991; Impey, Oliver, and Fairley, Malcolm,Treasures of Imperial Japan: Ceramics from the Khalili Collection, exhibition catalogue, London, National Museum of Wales and The Kibo Foundation, 1994; Yutaka Mino,The Great Eastern Temple: Treasures of Japanese Buddhist Art from Todai-ji, Chicago, Art Institute of Chicago, 1986; National Gallery of Victoria, Focus on Lacquer: Japanese Lacquer at the National Gallery of Victoria pamphlet, 2006; Muneshige Narazaki,Sharaku: The Enigmatic Ukiyo-e Master, Tokyo, Kodansha International, 1983; Tadashi Kobayashi,Ukiyo-e: Great Japanese Art, London, Kodansha International, 1982; Nazarov, Viktor,Netsuke, Okimono, Veyera (Netsuke,Okimono, Fans), St. Petersburg, Atlant, 2017; Bordignon, Laura,The Golden Age of Japanese Okimono, Suffolk, Antique Collector's Club, 2010; Pekarik, Andrew J.,Japanese Lacquer, 1600–1900: Selections from the Charles A. Greenfield Collection, exhibition catalogue, New York, Metropolitan Museum of Art, 1980. (18).