YUICHI INOUE 1916-1985 JAPANESE INK CALLIGRAPHY ON PAPER. Image only size 54.5cm by 78.5cm. Sealed. Shouting out aloud as he pressed his brush into the paper early each morning, forming his rugged kanji (Chinese ideograms) with a few dynamic strokes, tirelessly experimenting, ruthlessly destroying most of the day's work, then setting off patiently to teach at elementary school, Inoue Yūichi (1916-1985) embodies the self-discipline and experimental spirit of Japan's early postwar decades. He became an autonomous actor in the Tokyo art world in the early 1950s, just when it was at last possible to discover exciting new movements and styles that were developing outside Japan: action painting, abstract expressionism, and the work of such artists as Franz Kline, Mark Tobey, and Jackson Pollock. Inoue experimented for a time with total abandonment of the conventions of sho (calligraphy) but reconciled himself to its linguistic essence in time to create a masterpiece for the fourth São Paulo Biennale (1957). In the early 1960s his style diverged from the heady international modernism of the mid-1950s and took a direction that was more culturally specific, without in any way abandoning his uncompromisingly severe artistic quest. Inoue's achievement above all rests on his success in straddling West and East, in combining two visual languages-sho and abstract expressionism-to convey deeply felt inner conflict and anguish. The strokes of his kanji, sometimes so thick as to be more mass than line, explode onto the paper with a primal, visceral energy that cries out for our total attention. Shunning the delicacy and grace conjured up by the word "calligraphy," he often left things to chance, his use of the brush producing spatterings of ink that came to rest at random, to dramatic effect. His utterly eccentric, wonderfully sparse sho creates a new world where clarity of meaning and intensity of emotion are fused into an integral whole. Following a major retrospective exhibition held in Japan in 2016, collectors and institutions around the world are currently showing intense interest in his dynamic compositions. The term In Style of used in title and description means that artworks are similar to the artist’s style. After means the artwork is a copy of an existing work. For both kinds of arts, we do not guarantee and do not suggest any authenticity and originality of it. Shipping cost including package deliver to US address 50 USD and International 150 USD. We can arrange door-to-door delivery to most east coast address and provide to check prior to pay. Please read our policy carefully: 1. We do not have additional images, all images listed here, and all bidders see the same. 2. No PayPal and Credit Card accepted. 3. We arrange in-house packing and delivery. Shipping cost is listed. No bargain or discount for it. Delivery and US shipping will keep frame, international shipping will remove the frame except buyer pay for shipping cost. 4. We provide in-site pickup and third-party shipper delivery but need payment clear first. 5. Return policy.We only refund hammer price with no exception. Return must be done in two weeks after artworks received. 6. We are open for per-sale and post-sale offer, if offer accept, we will help to complete per-sale and post-sale purchase transaction, same policy as regular purchase. If you do not like our policy, please simply do not bid with us. Thank you.