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Home > Auction >  January Art and Asian sale >  Lot.0038 KYUNG-JO CHUN 1924-2015 KOREAN OIL PAINTING ON CANVAS LANDSC...

LOT 0038 KYUNG-JO CHUN 1924-2015 KOREAN OIL PAINTING ON CANVAS LANDSC...

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USD500
Estimate  USD  1,000 ~ 2,000

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MorningStar eArt Group

January Art and Asian sale

MorningStar eArt Group

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KYUNG-JO CHUN 1924-2015 KOREAN OIL PAINTING ON CANVAS LANDSCAPE. Canvas size 12in by 10in. Signed on front and back. Chun Kyung-Ja is one of the most highly recognized pioneers in the history of Korean modern art. Born in 1924 in Gohung, Korea, Chun moved to Japan to continue her study in art. Since graduating from Tokyo Women’s University of Art in 1944, Chun held successful solo exhibitions over ten times in Japan before returning to Korea in 1955 to receive an honorable Presidential Prize at the National Art Exhibition. Despite her early success as an artist and a professor at Hongik University of Art, one of the most prestigious art colleges in Korea, Chun never stop devoting her life in developing her own unique style throughout her lifelong artistic career that spanned over seven decades, finally becoming one of the most talented and prolific artists in Korea. Resisting to follow the conventional styles prevailed in the local art scene in Korea at that time, Chun was experimenting with Korean motifs and colours, with inspiration from traditional Korean paintings and architecture. In A Lady in Her Dream (Lot 413) from 1968 featured here, the pastel blue, orange, purple, and yellow colours evoke the viewer of Dancheong (Fig.1), Korean multicolored paintwork under the roof of traditional wooden buildings. As Dancheong, which reflects Korean’s deep appreciation of nature and their wish to embody the beauty of its colours on the buildings they lived in, Chun’s palette illustrates her wish to fill her canvas with the hues of nature. Chun had an affinity towards using the colour blue. Her blue resembles the colour of Gohung, Chun’s hometown surrounded by sea on three sides. It is not a coincidence that the colour of women in her paintings is a reflection of the blue waves of Gohung with their hair shining like the sea breeze from her little hometown. Long after she left her home town, Chun finally realized her affection towards the boundless blue sea of Gohung, her hometown where she was forced to bear the misfortunate fate as a woman-a daughter, wife, daughter-in-law, and mother at such a young age. Dreamlike portrait of woman is a common subject throughout the history of art. Gustav Klimt (Fig.2) glorified feminine beauty in his portraits of women, often surrounded by beautiful flowers with his signature palette. However, if Klimt distances the viewer and himself from the mystical women in his painting, the women in Chun’s paintings appear very intimate to the viewer. Chun’s inspiration for her paintings originates from her own process of overcoming the internal sufferings and trauma from her teenage years. Her thirty years of travels around the globe including Kenya, Mexico, Italy, and the Amazon in Brazil, were also an important source of inspiration throughout her artistic career. The women in Chun’s paintings are a reflection of the women she encountered and the new cultures she experienced during her travels. Flowers, and snakes, the unique subjects that represent Chun’s paintings in her unique dreamlike palette, reflect the deep sadness, sorrow and loneliness experienced from her teenage years and her life reborn as a woman. In A Lady in Her Dream, the dreamy pastel palette lures the viewer to walk into the dream of the woman in the painting. With a blurred face and her eyes closed, the lady in her dream is surrounded by leaves, flowers, fish, and rainbows, all in the illusions of kaleidoscope colors. By intentionally not clearly describing her facial features, Chun makes the lady completely unidentifiable and anonymous. In her dream, she appears to be free from everything that confines her in real life. Chun’s enchanting beautiful lady invites the viewer to her dream, the splendor of her illusion. The term In Style of used in title and description means that artworks are similar to the artist’s style. After means the artwork is a copy of an existing work. For both kinds of arts, we do not guarantee and do not suggest any authenticity and originality of it. Shipping cost including package deliver to US address 50 USD and International 150 USD. We can arrange door-to-door delivery to most east coast address and provide to check prior to pay. Please read our policy carefully: 1. We do not have additional images, all images listed here, and all bidders see the same. 2. No PayPal and Credit Card accepted. 3. We arrange in-house packing and delivery. Shipping cost is listed. No bargain or discount for it. Delivery and US shipping will keep frame, international shipping will remove the frame except buyer pay for shipping cost. 4. We provide in-site pickup and third-party shipper delivery but need payment clear first. 5. Return policy.We only refund hammer price with no exception. Return must be done in two weeks after artworks received. 6. We are open for per-sale and post-sale offer, if offer accept, we will help to complete per-sale and post-sale purchase transaction, same policy as regular purchase. If you do not like our policy, please simply do not bid with us. Thank you.

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Cary, NC, United States

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