著录:出版 J. Rawson and J. Ayers、东方陶瓷学会,《Chinese Jade Throughout the Ages》, 伦敦, 1975年, 页109, 编号358 《FranzArt: Chinese Art from the Hedda and Lutz Franz Collection Vol 1: Jade》, 香港, 2010年, 页262-263、页316, 编号1530 蓝理捷, 《雅制：中国文人艺术》, 纽约, 2020年, 编号12 拍品描述:来源 Spink & Son, 伦敦, 1957年 Peter Hariolf Plesch (1918-2013) 医生珍藏, 编号Hh26L 伦敦佳士得, 2009年11月3日, 拍品编号167 蓝理捷, 纽约 Hedda and Lutz Franz伉俪珍藏, 香港, 编号1530 蓝理捷, 纽约, 编号x2615 Professor Peter H. Plesch (1918-2013) and his wife Gerta Regina Traudi Plesch OBE (1921-2013) were avid collectors of Chinese, Japanese and Korean art. The first antique purchased by Peter, while he was a student at Cambridge University, was a Chinese 19th-century silver hip flask, which he used throughout World War II. However, his career as a real collector started much later, when in 1957 he inherited the very varied Chinese artifacts of his parents, and he realized that he knew very little about them. Peter quickly sought knowledgeable advice and found it at the Grosvenor House Antiques Fair of 1958 where he met Adrian Maynard of Spink's Chinese Department, who became a trusted adviser and friend. The present jade peach box and cover is known to be Peter's first purchase of Chinese jade. After Peter and Traudi's marriage in 1963 jade was to become one of her favorite collecting areas. The couple went on to collect Asian art in a wide range of materials, from Song dynasty ceramics to Japanese sword-fittings, netsuke and wood-block prints, and from Korean celadons to Qing dynasty glass. Peter became known as a serious collector when he purchased a Ru narcissus bowl in March 1959 at Sotheby’s for £2,200 against the dealer J.T. Tai. The bowl was later sold in February 1970 for £46,000, a record for a Chinese ceramic at the time. For a similar jade peach box and cover of smaller size also carved from a single jade boulder and connected by interlocking branches, in the collection of the Victoria and Albert Museum, London, see M. Wilson, Chinese Jades, London, 2004, pp. 56-57, no. 58. See, also, a smaller jade box and cover in the form of a bitter melon, connected by a loose ring, illustrated in The Arts of the Ch’ing Dynasty, Oriental Ceramic Society, London, 1964, pl. 127, no. 393.