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Home > Auction >  中国书画 >  Lot.3192 Fu Baoshi
傅抱石 柳荫美人 | Fu Baoshi, Beauty under th...

LOT 3192 Fu Baoshi
傅抱石 柳荫美人 | Fu Baoshi, Beauty under th...

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HKD4,800,000
Estimate  HKD  6,500,000 ~ 12,000,000

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苏富比

中国书画

苏富比

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Fu Baoshi1904 - 1965Beauty under the Willowsink and colour on paper, hanging scrollsigned BAOSHI, and inscribed. Signed again FU BAOSHI, dated 1948, inscribed, with a dedication, a total of four seals of the artist, and one collector's seal105 x 30.5 cm 41⅜ x 12 in.--------------------------------------------傅抱石 柳蔭美人設色紙本 立軸款識:抱石寫於東川。 蘇可拉先生法家教正,戊子秋,金陵并記。傅抱石。鈐印:「傅」、「抱石之印」、「新喻」、「其命維新」。藏印:「雲海閣珍藏印」。展覽:〈張宗憲珍藏中國近代書畫展覽〉,二○○二年六月至十二月,巡迴展覽於上海、香港及臺北著錄:〈張宗憲珍藏中國近代書畫—十七家作品集〉(香港,蘇富比有限公司,二○○二年六月),頁64-65〈中國近代名家書畫全集—傅抱石.仕女〉(香港,翰墨軒,二○○四年十一月),頁40-41〈傅抱石全集〉卷二 (廣西美術出版社,二○○八年三月),頁145〈傅抱石年譜〉(增訂本),葉宗鎬著(上海古籍出版社,二○一二年十二月),頁215來源:本幅乃畫家贈印度畫家蘇可拉 (Y.K. Shukla)香港蘇富比,二○○七年十月,張宗憲珍藏中國近代書畫(第二部份)拍賣,編號28香港蘇富比,二○一八年四月,中國書畫拍賣,編號1271上款:蘇可拉(1907-1986),印度人。少好藝術,就讀於孟買之藝術學校,一九三四年畢業,獲派赴參加倫敦舉行之近代印度藝術展覽會,得義國政府頒授獎學金,入讀羅馬皇家藝術學院,研習版畫,一九三八年以優異成績畢業,返國從事教育工作。後與十名分屬不同學科之學者獲印度政府選派來華進修,以促進兩國文化學術交流。一九四七年七月抵北平,先習中文,再轉入北平國立藝術專科學校之繪畫科研習班修讀中國畫,師事徐悲鴻、王青芳,翌年六月畢業。一九四八年六月至八月期間,先後在北京大學、北平國立藝專及南京中央大學舉行畫展,曾到敦煌千佛洞考察壁畫。蘇可拉既習印度藝術,且負笈歐洲,可謂學貫東西,以此背景,兼涉中華文化,可謂事半功倍,來華兩年,對繪畫、篆刻兼有所長,又諳裝裱,以徐悲鴻及王青芳指點傳藝,對其影響尤深,其畫風亦類近兩者。徐悲鴻、王青芳外,傅抱石、黃君璧、齊白石等平、寧名家,皆曾饋贈佳作,這批作品經他帶返印度,直到上世紀九十年代後期方在倫敦釋出。註:蘇可拉等十名印度學者來華進修,乃中印文化交流之盛事,於內戰烽火重燃之國民政府,兼具外交意義,此乃蘇可拉獲重視之背景,故平、寧兩所重點大學先後為其籌辦個展,胡適、王世杰、羅家倫等政界、學界名人大力支持。徐悲鴻掌北平藝專校長之職,對來校進修中國繪畫之留學生自多垂顧,兼其來自印度,不無勾起他居停彼邦與當地文化界交往之回憶,故悉心照拂,傳授畫藝外,四八年四月在校內為其籌辦個展,同年八月中印學會在南京社會服務處(Social Service Hall)為蘇可拉籌辦之展覽,悲鴻亦傾力支持,以其與中央大學藝術系之淵源,親函系內之教員推介,如呂斯百、黃君璧、謝稚柳,任教該系之傅抱石,亦在其列。八月廿一日在國際聯歡社(International Club)籌辦之預展,各國駐華使節、政府要員、新聞文教藝術界人士雲集,傅抱石亦在應邀嘉賓名單上。由此可見,傅抱石與蘇可拉之交,出於徐悲鴻所繫,目前傳世抱石貽蘇氏之作品兩幀,一寫於「戊子初秋」,另即本幅撿贈於「戊子秋」,均屬蘇氏南京個展之時。本幅「寫於東川」,乃重慶金剛坡時期,且作篆書款,當屬畫家頗爲自得的作品,遂珍藏在側,抗戰勝利後,携返金陵。直至四八年,方檢出補題上款贈予蘇可拉,亦証重視這段異國藝緣之意。畫中一樹柳絲新抽嫩芽,下方絳衣仕女朱唇黛眉,面若桃花,纖纖玉手執一枝紅梅,徐行中回眸顧盼。隨風輕舞的柳絲,撫過擺動的衣袂、裙裾,與梅枝糾纏,可謂「春隨柳葉三分翠,人與梅花一樣清」,格外動人。〈傅抱石年譜〉將本幅畫題訂作〈打起黃鶯兒〉,乃取唐人金昌緒詩意,惟與傅抱石常見此題材構思略有差異,不見黃鶯啼柳,亦無被擾相思夢之閨怨氣息。而仕女情態更近畫家一九四五年為夫人羅時慧慶生所作〈柳蔭仕女圖〉,構圖更簡潔清爽,觀之如沐和煦春風之中。畫上無署年,據款字及筆墨風格,應作於一九四五至四六年間。參考資料:一九四五年〈為羅時慧作仕女圖〉可參見〈傅抱石畫選〉(人民美術出版社,一九八三年),頁17一九四八年〈贈蘇可拉山水〉可參見〈傅抱石年譜〉,葉宗鎬編著 ( 上海古籍出版社,二○○四年九月),頁134105 x 30.5 cm 41⅜x 12 in.品相: -Generally in good condition, only with very slight foxing. For detailed condition photos and further inquiries, please contact cptghk@sothebys.com -品相良好。上方略見少少霉點。如需作品實景照片,或欲查詢作品資料,請電郵至cptghk@sothebys.comIn response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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