Castile, circa 1500-1520 A.D. Depicting an idealised image of Christ on a gilt background, stylised cross behind; wide eyebrows and double-pointed beard; the hair falling on the shoulders in neat locks; wearing a red tunic with gold embroidery reading 'REX + REGUM' for 'king of kings', pearled edge. Cf. similar iconography in ‘The Head of Christ, probably 1500/1510’, woodcut at the National Gallery of Art, Washington DC, German 15th Century, accession ; the Copy of the Vera Icon of Van Eyck, in Koldeweij, A.M. & van Vlijmen, P.M.L. (ed.), Schatkamers uit het Zuiden, Rijksmuseum Het Catharijneconvent, Utrecht, 1985, kg, 28.5 cm (11 1/4 in.). with Ansorena, 10 November 2014, lot 456. Ex central London gallery.Apanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is apanied by search certificate number no.11742-202064. The crimson tunic of our painting is clearly derived from the Van Eyck model, where crimson is associated with the Majesty of Christ. Christ is in fact shown here as the Saviour of the World (Salvator Mundi), a popular image in 15th century paintings. [No Reserve]