Artist: Huang Binhong 黃賓虹 (1865 - 1955) Waterside Mountainous LandscapeInk on paper, Ersebiao Mount, Yisebiao matted, wooden framed, set behind glassPainting (Sight): Length: 42 cm, Width: 29 cmSigned/Seal(s): Signed, with Two Artist Seals Provenance: The Exceptional Collections of Lieutenant General Cai Wenzhi 蔡文治 (1911 - January 9, 1994), Courtesy Name: Dingwu 定武, Spouse: Madame Wu Peiqi 吳佩琪 (Wu Peifu's 吳佩孚's younger sister). Cai Wenzhi born in Huanggang County, Hubei Province (Xinzhou District, Wuhan City). Graduated from the ninth period of the Whampoa Military Academy and the thirteenth period of the Army University. Lieutenant General of the National Revolutionary Army.For more information about General Cai Wenzhi 蔡文治, please follow this link: http://www.LaurenAuctions.com/CaiWenzhi/The collections of General Cai Wenzhi 蔡文治 presented and offered up to auctions from Lot-97 to Lot-157ARTIST BIO: Huang Binhong 黃賓虹 (1865 - 1955) was a Chinese art historian and painter born in Jinhua in Zhejiang province. He was the grandson of artist Huang Fengliu. He is considered one of the last innovators in the style of painting and is noted for his freehand landscapes. His painting style showed the influence of the earlier painters Li Liufang, Cheng Sui, Cheng Zhengkui, and Kun Can. He also had significance for creating several societies devoted to painting and calligraphy. Huang Binhong's work and ideas reached maturity during the 1930s and '40s. In his writings from this period, Huang advocated studying the Tang and Song works to trace the past, in order to initiate the future. He wrote "Huafa yaozhi" (Principles of Paintings) in 1934, in which he explained his five ways of using the brush and his seven ways of using ink. He derived his style from the close study of Chinese tradition and of nature. Huang Binhong was among the first to point out the significance of the Xing'an School of painting in his scholarly writings of the early 1940s. Beside the Xi'an School, Huang was also influenced by Dong Qichang. Despite these ancient influences, some of his painting techniques, especially his experiments with the effects of light and his autonomous use of brush and ink, converged with those of Western Impressionism and Modernism. He developed calligraphic strokes in his works, forming a richly integrated style in which he manipulated solid and void. At the end of his career, when his eyesight was failing, Huang Binhong nearly departed from figuration in his paintings, while still infusing them with the essential spirit and resonance of the natural landscape. When he was 80 he had his first solo retrospective in Shanghai.品相报告: Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages. Frame with normal anomalies in nature, sign of stressed surface, minor scratch & dents. Surface traced wear and or declined to gilding. Normal, consider ages and wear. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. LAUREN Auctions Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.