Both hands and feet of the Bodhisattva are decorated with scorpions, the left hand is used as a chest knot "Dharma seal", the right hand holds a rosary on the knee, the left leg is coiled on the lotus seat, the right leg is stretched forward and the foot is on a blooming lotus, sitting comfortably on both sides. The layers are turned upside down on the lotus platform. There is a bead pattern on the top and bottom. The overturned lotus petals are thick and wide, slightly upturned, neatly arranged, and exquisite in workmanship. In front of the pedestal, there are auspicious beasts crawling on them. The auspicious beasts have vivid expressions, graceful shapes, and meticulous depictions, which are extremely rare and special. The whole body is gilded, the gold water is thick, the gold is bright and pleasing to the eye, the shape is beautiful, the body is huge, the craftsmanship is exquisite and exquisite, the proportion of the body is comfortable, and the details of hands and feet are very realistic. 觀世音菩薩可以說是在眾多菩薩之中最受歡迎的一位，觀音菩薩具備六根大圓通智，能變現三十二種化身，為眾生解救各種苦難；同時她還是西方極樂世界的上首菩薩，能為眾生來世安排美好的歸宿。本尊菩薩造像異常華麗，束髮高髻，頭戴寶冠，面相方正，臉頰豐圓，眉眼上挑，下視雲雲眾生，眉間飾白毫，面容秀美，神態安詳，完美的表現了觀音菩薩善男子形象。寬肩細腰，腰部柔軟而有動感，細部刻畫精細入微，生動傳神。菩薩身著天衣綢裙，上身胸前飾項圈和長鏈，項圈下綴U 字形連珠式瓔珞，下身著長裙，腰間束帶，腰帶下前並左右亦有U 字形連珠瓔珞裝飾。雙肩披帔帛，帔帛從肩部垂於手臂內側，然並從內側折迴向外搭在手腕上，極富裝飾意味。裙子與帔帛採取寫實手法表現，衣紋流暢，質感較強。菩薩手和足皆飾釧躅，左手當胸結“說法印”，右手置膝持有念珠，左腿盤於蓮花座上，右腿向前伸展腳踏一朵盛開的蓮花，舒坐於雙層仰覆蓮台上。上下各飾有一道連珠紋。仰覆蓮瓣肥厚寬大，微微上翹，排列規整，做工精緻。台座前有瑞獸匍匐之上，瑞獸神情生動，造型優美，刻畫細緻入微，極其罕見特殊。整像通體鎏金，金水厚重，金色亮麗悅目，造型優美，體型碩大，工藝細膩考究，像身比例舒適，手、腳等細部極具寫實性，既符合西藏佛像的相好標準，又融匯了漢地的審美觀念和傳統表現形式，整體氣度兼備宗教神聖氣韻與皇家王者氣派，堪稱明代佛教金銅造像的巔峰之作。