Gilt copper, smooth polished, fine and even beads, finely carved clothing patterns, vigorous body, crossed vajra on the back cover, with a distinctive Mongolian style. The eyes are slightly drooping, there is a round white hair between the eyebrows, the big earlobe shoulders, and the eyes are open, which symbolizes insight into everything in the world. The clothing is thin and close to the body, fully revealing the natural ups and downs and changes of the body and muscles. The hem of the garment is engraved with exquisite patterns, and the folds of the hem are radially distributed in front of the pedestal. Holding a Buddha bowl in his left hand and a pill in his right, he sits on a lotus throne in knotted lotus. The lotus stand is a typical base of Zanabazar-style statues. The overall height is high, the width of the upper and lower lotus petals is similar, and they are all decorated with beaded patterns. There are several steps at the bottom, and the lotus petals are close to the upper part. The double-layer lotus petals are half-moon-shaped, flat and wide. , what is even more rare is that this statue still retains the original back cover, and the bottom plate is inlaid with gilt cross-crossed vajra. 在風格紛呈的藏傳佛像藝術體系中，蒙古風格造像以其俊朗的面容、完美的身軀、優雅 的體態和精湛的工藝一直廣受市場關注和青睞。在藝術品市場上，它也一直受到佛像收藏家和愛好者的熱烈追捧，屢屢創出驚人的佳績。藥師佛是大乘佛教崇拜的重要對象，歷史上在漢藏佛教中都有重要的地位和影響。全稱 “藥師琉璃光如來”，又稱“藥師如來”。他能除生死之病，故名藥師；能照三有之暗， 故名琉璃光。 《藥師本願功德經》宣稱，眾生只要念誦他的名號，就可以不入畜生、地獄惡道，解除生老病死等苦難，免除九種非正常死亡——九橫死，獲得種種不可思議的功德。由於藥師佛十二大願中有“除一切眾生病，令身心安樂”的誓願，因此千百年來他又被人們尊奉為“大醫王”。造像銅鎏金，表面潤澤，打磨光滑，連珠細密均勻，面容青春俊朗，衣紋刻畫細膩，軀 體雄健圓潤，身體光潔飽滿，造型完美，品相完好，做工講究，一絲不苟，封底十字金剛杵，蒙古風格鮮明。佛面圓滿，雙目微垂，面目慈祥，雙眉間有圓形白毫，大耳垂肩，雙目睜視，象徵洞悉世間一切，鼻樑高挺，雙唇微微抿起，頭頂梳高髮髻，上身著袒右肩袈裟，衣質薄透貼體，充分顯露出軀體和肌肉的自然起伏與變化。衣緣上刻有精美的花紋圖案，下擺衣褶呈放射狀分佈於台座前方，這兩處表現尤為引人注目。左手持佛缽，右手持藥丸，結跏端坐於蓮花寶座上。蓮台採用的是紮那巴扎爾風格造像的典型底座。整體較高，上下蓮瓣寬度接近，皆飾有連珠紋，底部有幾層台階，蓮瓣靠近上部，雙層蓮花瓣呈半月形，扁平寬闊，內外蓮瓣尖部均微翹，上下交錯排列，追根溯源，這種樣式亦是藉鑑了早期帕拉造像蓮座風格。此尊造像亦胎體厚重，銅質細膩，這也是紮派造像另一大明顯特徵。更為難得的是此尊尚保有原封底，底板嵌刻鎏金交叉十字金剛杵。整體藝術表現，可謂造型完美、氣勢非凡，風格優雅、法相莊嚴，技藝高超、工藝精湛，體量高大、品相一流，堪稱一件偉大的蒙古古代雕塑藝術作品。 （可參閱蒙古烏蘭巴托喬金廟喇嘛博物館收藏藥師佛像）