清 边寿民杂画册清 边寿民杂画册设色纸本 册页十二开 一七四六年作每幅约 23.7 x 27.7 cm. (9 3/8 x 10 7/8 in.)题识／款识：1 一池墨汁貌花王，不辨花香与墨香。最忆前年好清兴，写生十日住谁庄。谁庄，程氏别业，牡丹最盛。边寿民。2 不妨宿露共餐风，雪片冰花又满空。若是稻粱谋可得，应无人作信天翁。寿民。3 可怜垓下英雄尽，碧血青燐是此花。苇间居士。4 此东坡所谓巨口细鳞，状如松江之鲈者也。寿民写生。 5 共道山中好，入山苦不早。山中本无忧，又有忘忧草。绰绰老人。 6 点点芦花映碧流，风吹旅影落沙洲。道人本是无愁客，写到苍茫亦感秋。边寿民。 7 阴晴无定落花风，细草如烟蝶一丛。绝似吴王教歌舞，翠裙红袖馆娃宫。寿民并题。8 晚荷人不折，留取作秋香。寿民。 9 寿民。10 颐公。11 寿民。12 不蹈危机等众禽，黄芦深处自浮沉。春风早晚归乡国，谁识雪霄万里心。乾隆丙寅（1746年）夏至后十日。苇间居士边寿民。钤印：寿民（八次）、颐公（七次）、如南山之寿、墨僊、含毫邈然、苇间居士、活活泼泼、老寿 藏印：渔邨鉴定、楚珍过眼、家住三十六峯下FROM THE COLLECTION OF ANNA FANG, MADAME WONG NAN-PING (LOTS 824-829)Anna Fang (1924-2022) was the wife of the renowned connoisseur Wong Nan-ping (1924–1985), distinguished collector of Chinese paintings and calligraphy of the twentieth century. The couple met during their studies in Shanghai. They moved to Hong Kong in the late 1940s, where they continued their pursuit of collecting and studying paintings and calligraphy. A leading member of the collecting group Min Chiu Society, for decades Wong Nan-ping formed deep friendships with artists and collectors, often travelling between Hong Kong and Taiwan accompanied by Madame Wong. In the 1970s, the couple frequently visited the United States and Canada to visit their children, and during these trips, they were able to visit North American museums and universities. Madame Wong thus became acquainted with many scholars, collectors and artists.After Wong Nan-ping passed away in 1985, Madame Wong donated the important calligraphy by Wang Anshi (1021-1086) and the Southern Song edition of his complete works to the Shanghai Museum, fulfilling the long-held wish of her late husband. With intimate knowledge of the collecting journey of Wong Nan-ping, she also contributed to the touring exhibition of masterpieces from the Jade Studio, beginning at the Yale University Art Gallery in 1993, and the seminal publication The Jade Studio: Masterpieces of the Ming and Qing Painting and Calligraphy from the Wong Nan-ping Collection, compiled and published by preeminent scholars including Richard Barnhart that followed. This spring, Christie’s is honoured to present a selection of paintings from the collection of Anna Fang, Madame Wong Nan-ping. A close companion and partner in life and art of Wong Nan-ping for nearly four decades, Madame Wong not only played a crucial role in the founding of the Jade Studio Collection, and also in the preservation and continuation of its legacy.Details BIAN SHOUMIN (1684-1752)Album of Geese and Other SubjectsAlbum of twelve leaves, ink and colour on paperEach leaf measures 23.7 x 27.7 cm. (9 3/8 x 10 7/8 in.)Nine leaves inscribed and signed and three leaves signed, with a total of twenty-one seals of the artistLast leaf dated ten days after summer solstice, bingyin year of the Qianlong period (1746)Three collector’s seals Literature Richard M. Barnhart et al., The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, Yale University Art Gallery, New Haven, 1994, pp.204-210 pl.63.Tian Hong, Wang Nanping’s Collection of Ancient Chinese Paintings, Vol.3, Tianjin People’s Fine Art Publishing, Tianjin, July 2015, pp.724-731, pl.225. Exhibited New Haven, Yale University Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, New Haven, 9 April 1993-31 July 1994.Ann Arbor, University of Michigan Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 10 September-19 November 1994.Hong Kong, Chinese University of Hong Kong Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 16 December 1994-25 February 1995.Lawrence, Kansas, Spencer Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 9 April 9-18 June 1995. Conditions of sale