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Home > Auction >  Collection Rudolf Neumeister day1 >  Lot.49 Saint John the BaptistMaster of Rabenden (active in Munich in the 1st third of the 16th Century),

LOT 49 Saint John the BaptistMaster of Rabenden (active in Munich in the 1st third of the 16th Century),

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Estimate  EUR  80,000 ~ 120,000

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Kunstauktionshaus Neumeister

Collection Rudolf Neumeister day1

Kunstauktionshaus Neumeister

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Saint John the BaptistMaster of Rabenden (active in Munich in the 1st third of the 16th Century), circa 1515/20 Seated on a bench, facing the viewer directly, his right hand pointing to a book and a lamb. In heavily draped robes gathered on his knees, characteristic of the Master. Limewood, back hollowed out, scuffed. Probably previously painted. Height 83 cm. Probably formerly the middle part of an altar shrine. Von Halm, p. 71, and Rohmeder, p. 54, attributed to the Master of Rabenden as his own work: cf. Halm, Philipp Maria, Der Meister von Rabenden und die Holzplastik des Chiemgaues, in: Jahrbuch der Königlich Preussischen Kunstsammlungen Vol. 32 (1911), p. 59 -84, here: pp. 71, 75. - Rohmeder, Jürgen, Der Meister des Hochaltars in Rabenden. Münchner Kunsthistorische Abhandlungen III. Munich 1971, catalogue number A 21 and illustration 9. See also Miller, Albrecht, Der 'Meister von Rabenden', in: Exhibition catalogue um Leinberger. Schüler und Zeitgenossen, Museen der Stadt Landshut 21 October 2006 - 11 March 2007. Landshut 2007, p. 88 ff. Provenance: Salomon Collection - 1911 Nuremberg art trade (according to Halm 1911) - Lepke Berlin Auction 1710 (1914), lot 89, plate 13 - Weinmüller Auction 105 (15-17/03/1967), lot 1257.Saints, Sacred art, SculptureHl. Johannes der TäuferMeister von Rabenden (tätig in München im 1. Drittel des 16. Jhs. ), um 1515/20 Dem Betrachter frontal zugewandt auf einer Bank sitzend, mit der Rechten auf das Buch mit dem Lamm weisend. Ausladend um Schultern und Knie drapierter Mantel mit den für den Meister charakteristischen Knitterfalten. Linde, rückseitig gehöhlt, best. Ehemals wohl gefasst. H. 83 cm. Ursprünglich wohl im Mittelteil eines Altarschreins. Von Halm, S. 71, und Rohmeder, S. 54, als eigenhändiges Werk dem Meister von Rabenden zugeschrieben: vgl. Halm, Philipp Maria, Der Meister von Rabenden und die Holzplastik des Chiemgaues, in: Jahrbuch der Königlich Preussischen Kunstsammlungen Bd. 32 (1911), S. 59-84, hier: S. 71, 75. - Rohmeder, Jürgen, Der Meister des Hochaltars in Rabenden. Münchner Kunsthistorische Abhandlungen III. München 1971, Kat. Nr. A 21 u. Abb. 9. Vgl. auch Miller, Albrecht, Der 'Meister von Rabenden', in: Ausst.-Kat. Um Leinberger. Schüler und Zeitgenossen, Museen der Stadt Landshut 21. Oktober 2006 - 11. März 2007. Landshut 2007, S. 88ff. Provenienz: Sammlung Salomon - 1911 Nürnberger Kunsthandel (lt. Halm 1911) - Lepke Berlin Auktion 1710 (1914), lot 89, Taf. 13 - Weinmüller, München, Auktion 105, 15.-17. März 1967, lot 1257. Heilige, Religiöse Kunst, Skulpturen- - -27.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price22.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

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