LOT 29 Still life of roses, tulips, Spanish jasmine, morning glorie...
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Property from the Grasset CollectionNicolaes van VerendaelAntwerp 1640 - 1691Still life of roses, tulips, Spanish jasmine, morning glories, carnations and other flowers in a glass vase on a ledgesigned lower right: n.v.verendael foil on canvas39 x 27.8 cm.; 15⅜ x 11 in.-格拉塞特典藏尼古拉斯・凡・韋恩戴爾安特衛普,1640 - 1691年《靜物︰臺上玻璃瓶中的玫瑰、鬱金香、西班牙茉莉花、牽牛花、康乃馨與其他鮮花》款識︰藝術家簽名n.v.verendael f(右下)油彩畫布39 x 27.8 公分;15 ⅜ x 11 英寸品相: The following condition report is provided by K&S Conservation Ltd. who are external specialists and not employees of Sotheby`s: The painting is presumed to be painted in oil on a single medium-weight, plain weave canvas, which has been lined with glue paste on to a plain-weave canvas of a lightly coarse weave and weight. The edges have been covered with brown gummed paper tape. The lining is sound. The canvas is in plane, and the tension adequate. The keys are all present and secured with string to the stretcher. The paint and ground layers are stable, with no signs of flaking or recent losses. The current restoration was skillfully executed some time ago, with only minor corrections undertaken recently. The existing varnish and the retouching have not discoloured or degraded to a significant degree. The surface gloss is even and saturating."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby`s is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."来源1: Anonymous sale, Amsterdam, Frederik Muller & Co., 19 June 1913, lot 21 (as School of Jan Davidsz. de Heem and listed as signed);Dr. Leon Lilienfeld (1869–1938), Vienna, by 1917 (as Jan Davidsz. de Heem);Thence by inheritance to his widow, Antonie Schulz Lilienfeld (1876–1972), Winchester, Massachusetts (as Jan Davidsz. de Heem);Her posthumous sale (`The Collection of the Late Dr. Leon Lilienfeld of Vienna, Sold by the Order of the Executor of the Estate of Mrs Leon Lilienfeld, Winchester, Mass`), New York, Sotheby`s, 17 May 1972, lot 50, for $18,000 (as Jan Davidsz. de Heem);With Richard Green, London, 1974;From whom acquired for the Grasset Collection.来源2: G. Glück, Niederländische Gemälde aus der Sammlung des Herrn Dr. Leon Lilienfeld in Wien, Vienna 1917, p. 63, no. 28 (as Jan Davidsz. de Heem and listed as signed), reproduced;F.G. Meijer, Brueghel to Canaletto, European Masterpieces from the Grasset Collection, exh. cat., San Diego 2016, p. 29, no. 25, reproduced in colour;S. Thomas, A Feast for the Eyes, European Masterpieces from the Grasset Collection, exh. cat., Saint Petersburg, Florida 2019, pp. 88–89, no. 39, reproduced in colour.
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