LOT 31 Study for the White Horse
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Property from an English Private CollectionJohn Constable, R.A.East Bergholt, Suffolk 1776 - 1837 HampsteadStudy for the White Horseoil on canvas24.5 x 31.3 cm.; 9¾ x 12⅜ in. -英國私人收藏約翰・康斯特勃,R.A.1776年生於薩福克郡東貝爾格豪特,1837年卒於漢普斯特德《〈白馬〉習作》油彩畫布24.5 x 31.3 公分;9 ¾ x 12 ⅜ 英寸品相: The following condition report is provided by Henry Gentle who is an external specialist and not an employee of Sotheby`s:The support is well preserved and good tension is maintained.The paint layer is stable and secure and in very good original condition, the speed and vigour of application is apparent.Bravura brushwork is very well preserved and the textured and impasted passages are perfectly retained.Chromatic and tonal integrity is very well maintained.The painting is in an exceptional preserved condition and possesses a characteristic immediacy and freshness."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby`s is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."来源1: Probably by descent to the artist`s daughter, Isabel Constable (1822–1888);By whom bequeathed to her nephew, Cyril Benson Constable (1870–1905);By whom sold (‘Property of C.B. Constable, Esq.’), London, Christie`s, 23 June 1894, lot 110, to Tooth;Alexander Young (1828–1907), by 1902;From whom acquired by Thomas Agnew & Sons, Ltd., London, in 1906;Lady Mary Stuart Tollemache (1851–1939), widow of Wilbraham Tollemache, 2nd Baron Tollemache of Helmingham (1832–1904), by 1907;By inheritance to her step grandson, Lieutenant-Colonel the Rt. Hon. Denis Plantagenet Tollemache (1884–1942);John Clarke;Anonymous sale, London, Sotheby`s, 24 November 1965, lot 150, to Quentin;Acquired by the father of the present collector.来源2: C. J. Holmes, Constable and His Influence on Landscape Painting, Westminster 1902, p. 244, reproduced opp. p. 88;L. Parris and I. Fleming-Williams, in Constable: Paintings, Watercolours & Drawings, exhibition catalogue, London 1976, p. 108, no. 165, reproduced p. 109;R. Hoozee, L`opera completa di Constable, Milan 1979, p. 105, no. 190, reproduced (reproduction incorrectly captioned 194);M. Rosenthal, Constable, The Painter and His Landscape, New Haven and London 1983, p. 117, reproduced p. 116, fig. 151;I. Fleming-Williams and L. Parris, The Discovery of Constable, New York 1984, p. 95;G. Reynolds, The Later Paintings and Drawings of John Constable, 2 vols, New Haven and London 1984, text vol., p. 30, no. 19.4, plates vol., reproduced pl. 71;M. Cormack, Constable, Oxford 1986, pp. 110, 247 n. 5;C. Rhyne, ‘Constable`s first two six-foot landscapes’, in Studies in the History of Art, vol. 24, 1990, p. 124, reproduced fig. 18;A. Ng and W. Kentridge, Constable`s White Horse, New York 2020, reproduced p. 53.
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